How To Submit Your Music To Radio Stations [FULL GUIDE]

Grey condenser microphone in recording studio

If you’ve invested serious time and money into writing and recording music to the very best of your abilities, the last thing you’ll want to do is throw it away through a poorly-executed radio submission. Many bands and artists are unfortunately completely clueless when it comes to engaging the industry. However, a small amount of preparation can set you apart from the submission scrapheap and seriously advance your career.

So, how do you submit your music to radio stations? Successfully submitting your music to radio stations can be broken down into three main phases:

  • Research & engage suitable radio stations
  • Leverage the established connection to pitch your music
  • Follow-up and sustain your support

Keep reading to learn how to implement each phase in detail:

 

PHASE 1: RESEARCH & ENGAGE SUITABLE RADIO STATIONS

Create A Hit List Of Suitable Stations

Whilst it might sound obvious, you’d be amazed how many bands and artists fail before they’ve even started by submitting to a poorly-targeted radio station. Simply put, if you are a newly-established death metal band, don’t submit material to a hip-hop station that exclusively promotes established artists. Make sure you take the time to research each station so you can make sure they’re playing artists that are similar to you in terms of both size and genre. In addition, take some time to learn a little bit about each station to see how you can tailor your pitch; are they a family-run station? Do they have any connections with other industry operators? Are they only interested in promoting artists from a certain area?

Here are some of the best places to search for suitable radio stations that promote independent musicians:

  • Google
  • Facebook groups
  • Twitter hashtags/trends
  • Other artist’s social media channels

Compile a spreadsheet with the name of each suitable station, their social media links and a couple of pieces of information about the station. This’ll give you something to refer back to once you’ve done the research and are ready to submit.

Become An Active Fan Of Your Target Radio Stations

Once you’ve found a set of suitable radio stations to target, become an active fan of each station for several weeks before submitting anything. Listen to the show, become active on their social media and engage with the other artists. It’s important to take a genuine interest in the station and not expect them to directly provide you with anything in return; in other words, don’t push your music on them at this stage. However, this approach can really make you stand out from the hundreds of other artists when you finally do submit. Remember that independent radio stations are often operating without any significant income and are relying on the artists themselves to keep the show going. Therefore, they’re much more likely to give sustained airplay to artists who are willing to promote and support the station.  

 

Microphone in home recording studio

 

PHASE 2: PITCH YOUR MUSIC

Pick The Right Song

Again, this is another point where many artists can fail before they’ve started. Here are some pointers on choosing an appropriate song to submit to radio:

  • Make sure it’s new: If you’re promoting a new release, it makes sense to submit material from that same release. If you’re an emerging or independent artist, it’s also likely that the quality of your work will be improving by the release. Therefore, it can be assumed that there’s a high chance your newest music will be your best.
  • Make sure it doesn’t exceed 3:30:  The average station receives dozens or even hundreds of submissions each week and each show will be jam-packed with material. Therefore, your average radio station will often be more drawn to songs that don’t ‘waffle’. Whilst you might think that your seven minute-long song is the best  one you’ve got, the radio station simply won’t have time for it in an average show. If you’re writing new material with the intention of submitting it to radio, it’s worth aiming for a time cap of around 3:30 to maximize your chances of airplay (or at least producing a radio edit). If you’re a pop or rock artist, adhering to a time limit will also naturally cut a lot of unnecessary ‘waffle’ in your material, which in turn will make your music come across as much more professional and convincing.  
  • Keep it clean: An obvious one. Most radio stations are unlikely to play your material if it’s full of swear words or controversial subject matter. If there’s an exception to this rule, it’ll generally be stated on the show’s site or social media channels.

Assemble A Press Kit

As previously mentioned, the average radio station receives a huge number of weekly submissions and each show will be jam-packed. As a result, presenters won’t want to waste time searching through your social media or emailing you back and forth for the right information. It’s highly recommended that you assemble a dedicated press kit for radio submissions; here’s a couple of pointers on what to include:

  • Biography: You should include a biography that’s approximately 300 words. Be sure to include your location, influences, current focus and any upcoming events. Make sure you keep it concise and relevant; the presenter doesn’t need to know that you started piano lessons at the age of two or that your drummer has a cat named Tabby. If you’d like some more guidance on how to write an effective biography, check out our dedicated article.
  • Quick description of the song: Give a brief outline of the song and provide some background information on the lyrical content. This should add some context to the track and give the presenter something to add if they choose to play it. As mentioned with the biography, be sure to keep it concise and relevant.
  • Promotional photo: Some radio stations will want a promotional photo to feature on their social media channels. Even if they don’t, it’s a great opportunity to leverage your visual identity and provide further context to your music. Make sure you get the ‘all-clear’ from the photographer beforehand and give them credit in your press kit.
  • Website/Social media links: If the station decides to play you, it’s likely they’ll want to shout you out on their social media. It’s also worth making sure your social is both coherent and easy to navigate. If you’d like a few more pointers on how to use social media to your advantage, check out our article on how to promote your music successfully on the internet.
  • Song download/streaming links: This will also be included in your pitch email. However, as emails can often get lost or jumbled up, including direct links in your press kit will ensure the presenter won’t have to go searching for anything.

Compose An Email

Email is the primary means of contact within the music industry. Some stations will make it clear on their website or social media channels what they require from you. However, many stations will simply provide you with an email address or a contact form.

Here are some pointers on how to structure the perfect pitch email:

  • Include your artist name, song title and the word ‘submission’ in your subject line: An example would be ‘DEEP PURPLE – SMOKE ON THE WATER – SUBMISSION’. This makes it easy for the presenter to find your email and categorise it accordingly when sifting through their inbox.
  • Explain your relationship with the station: If you’ve taken the advice from phase 1 and become an active fan of the station, it’s likely they’ll already know who you are. However, give a bit of an overview on how you found the station, how long you’ve been listening and maybe a comment about a recent show. Again, make sure you keep this genuine and not overly-gushy; people will see straight through it if it isn’t genuine.
  • Pitch your song: Let them know you’d like to submit the track for consideration and give a brief overview of why you’re submitting the track (for example, if you’ve just released it as a single).
  • Include a streaming/download link to the track: Make sure you include a streaming/download link and NOT a file attachment. Large files may cause delivery issues, whilst also cluttering a curator’s inbox.
  • Thank the station in advance: Rather self-explanatory, but gratitude and good manners go a long way and show a good sense of professionalism.

Audio mixer in recording studio

PHASE 3: FOLLOW-UP & SUSTAIN YOUR SUPPORT

Promote The Show On Social Media

If you’ve received the news that you’ll be played on an upcoming show, congratulations! However, the work isn’t over yet. Make sure you promote the show several times on social media in the run-up to the feature. In addition, share/retweet any posts by the station that tag or mention you. As previously mentioned, stations are much more likely to give sustained airplay to artists who are willing to provide continuous support and promotion.

Send A Thank You Email

Once you’ve been played, it’s well-worth sending an email thanking the station for the feature and wishing them well. This only takes a couple of minutes, yet goes an enormously long way and again displays a sense of real professionalism.

Continue To Listen To & Support The Radio Station

This is a step that almost no one takes, despite the fact that it can seriously advance your career. Make sure that you continue to support the station after you’ve been played, even if it’s just putting a show on in the background one evening or retweeting a couple of their tweets. It’s worth emphasizing that this is a step that requires minimal effort, yet offers significant reward. As music is very much a ‘who you know’ industry, continuing to stand out by showing your support means you are planting a seed that could truly flourish over time. You never know when a connection could come through for you or a recommendation could be made.

Related Questions

  • How do you get radio stations to play your music? The best way to get radio stations to play your music is to submit to suitable radio stations. You should submit music to stations who play other artists with a similar genre and following to you. Furthermore, you should ensure you have a pre-established relationship with the station (i.e. being active on their social media). 

Additional Posts

 

I founded Indie Panda in mid-2018 to help independent musicians organically grow and develop their projects. I specialize in branding, identity, audience/industry engagement and project logistics.

I have a wealth of experience in both classical and popular music. After taking piano and violin lessons as a child, I went on to play first violin in philharmonic, symphonic and chamber orchestras throughout my adolescence. I began playing guitar and writing songs at the age of 13 and have played in a wide range of bands ever since. At the age of 18, my music received airplay for 30 consecutive days on BBC Radio, which led to an 'in-session' event where I performed live on the radio. I went on to earn a Music/Popular Music BA from the University of Liverpool, where I specialized in popular music performance.

I'm passionate about helping other artists realize the full potential of their talents and abilities through a strong work ethic, coherent project identity and a strong logistical foundation.

1 Comments

  1. Pingback: How To Promote Your Music On Social Media | 21 Game-Changing Tips

Leave Comment

Your email address will not be published. Required fields are marked *