‘No One Cares About My Music!’ | 8 Likely Reasons Why

Acoustic guitarist performing

Getting people to take a genuine interest in your musical project is the most common question I get asked by independent musicians. Bands and artists are understandably frustrated when they pour their heart and soul into a creative project, only to release it to the world and discover that no one actually cares about their music.

For the sake of this article, I’ll assume you’re releasing the best quality music you possibly can and simply can’t understand why others aren’t taking notice of it. Instead of taking the cop-out approach of telling you to work on targeting your sponsored social media ads or to ‘keep doing what you’re doing’, I’m going to give you eight likely home truths about your approach to independent music marketing. Once reviewed and implemented, these tips should place your project on the path to organic growth and success.  

1.You Don’t Care About Your Potential Fans

Many independent musicians make the mistake of taking an inherently self-centered approach to marketing their music, tending to focus on things such as:

  • How hard they’ve been working on the project
  • How much it would mean to them if people listened & shared
  • How excited they are for upcoming shows, releases etc.

Whilst these may all be perfectly valid comments, they focus entirely on yourself and show absolutely no interest towards your potential fans. Just as much as you want to derive value from writing and performing music, your potential fans want to derive value of their own from actively engaging with your work. Telling someone ‘it would mean a lot if you checked my track out’ essentially translates to ‘I think you should spend three minutes of your time fueling my ego’. Whilst this might not be the message you’re intending to portray, it’s important to understand that this is how many music consumers will perceive it.

2.You Feel You’re Entitled To People Caring

This point goes hand-in-hand with the previous one. The fact you’ve invested a significant amount of time, effort and emotional energy into a project that utilizes your talent may understandably lead to an inflated sense of entitlement. You might feel that since you’ve exercized your talent and worked hard on the project, you’re now entitled to the reward of active fan/industry engagement with no further effort required on your part.

It’s important to understand that being talented and working hard on the music itself is simply one piece of a much larger puzzle, not the sole reason for both audience and industry to take notice of your project. You’re only entitled to people caring about your music if you’re using it as a vehicle to actively provide value to their lives.

3.You’re Relying Solely On The Music Itself

Whilst the music itself is certainly the heart and soul of a musical project, many independent musicians view it as the only thing that others will derive value from. This is a problem for two reasons:

  • You are in competition with a significant number of other artists who are just as talented, if not more talented than you. Having great music, whilst necessary, often isn’t enough to set you apart from the noise.
  • Much of the value that consumers derive from bands and artists comes from visual identity (the cultural and personable aspects of the project).

Think about what a fan wishes to communicate to others when they wear a band t-shirt in public. They aren’t just showcasing the fact they enjoy the music the band makes, but they are in fact providing insight into a whole range of their own cultural values and lifestyle choices. Fanbases are not simply a group of people who like a particular band or artist; they are a community of people with a similar set of values, interests and cultural elements that the band or artist in question happens to effectively represent. This is communicated not only through the song lyrics, but also the fashion, branding and personality of the artist.  

4.You’re Attempting To Market Yourself Like A Major Label Artist

Entitlement aside, another reason many independent musicians feel that simply posting a track on their social media and asking others to check it out is because they see major label artists doing it. Therefore, it’s easy to assume that emulating what a successful artist is currently doing will yield similar results. However, take into consideration that:

  • Major label artists have already built up a sizeable fanbase over the course of several (or sometimes many) years.
  • Major label artists have access to large promotional infrastructure that you don’t (national radio, large sync deals, large-scale ad campaigns etc).

If you have no fanbase and no access to large-scale infrastructure, marketing yourself as if you do will not yield the same results. Instead, focus on creating content that’ll help grow your following from scratch.

adult drummer performing on stage

5.You’re Following The Crowd, Not Standing Out From It

The reason that the vast majority of bands and artists are making the same marketing mistakes (and subsequently yielding the same limited results) is because they’re too afraid to stand out. They’d rather blend into a scrapheap of bands and artists begging others to listen to their music in order to validate their hard work as it’s safer than thinking outside the box and trying something different.

If you want to separate yourself from the scrapheap, you have to first overcome your fears of rejection and failure with resilience and innovation. Remember that failure is not only inevitable, but also a vital attribute to success.

6.You Blame Others For Your Lack Of Success Instead Of Reflecting On Your Own Actions

At least once a week, I’ll see a disgruntled post from a failing independent musician on Facebook. Here is one such post that I saw in an unsigned music group:

Screenshot of disgruntled independent musician's post n Facebook group.

A quick analysis of this post flags up several problems with this particular artist’s mindset towards independent music marketing:

  • The overly-assertive tone of his comment reveals that he believes he knows better than anybody else (despite his shortcomings)
  • He shows absolutely no self-reflection whatsoever. Instead, he blames other independent musicians as well as the music industry in general for his failures
  • The fact he’s blaming others for his own shortcomings reveals a sense of entitlement
  • His comments on talent/music quality reveal his belief that being talented and having great music is a stand-out factor rather than one piece piece of a large puzzle.
  • His post implies he’s attempted to market himself in Facebook groups dominated by other independent musicians. This shows he has a poor understanding of his target audience.

I ended up replying to this post with several things this artist could do to set himself on the path to success, which you can find listed below. He later sent me a message thanking me for the advice.

  • Stop blaming others for your own shortcomings; reflect and review on what you can do differently.
  • Take time to think how you can market your work to your target audience instead of attempting to market to other independent musicians
  • Try to think outside the box when it comes to unsigned music groups. If you know that the vast majority of independent musicians are only interested in their own music, how can you use that knowledge to your advantage when marketing your own music?

It’s important to reflect and review your approach to independent music marketing on a regular basis. Ultimately, it’s important to realize that whilst you cannot single-handedly change the industry, you can change your approach to how you operate within it.

7.You’re Not Being Consistent

Many independent bands and artists will go days, weeks or even months without working on their music or posting on their social media. In order to both hone your craft and grow your fanbase, you need to treat your project like a part time job. I’d strongly recommend scheduling time to work on both your music and your social media content every single day; this ensures:

  • Your skills consistently strengthen:  Taking a ‘little and often’ approach to honing your craft allows the brain to process bitesize information on a regular basis, leading to consistent growth as a musician.  
  • You stay relevant and engaging to your fanbase: In the age of social media, attention spans are at an all time low and people expect to be constantly entertained. Content needs to be created and promoted on a daily basis in order to keep your fanbase engaged and active.

8.You Expect Instant Gratification

True overnight success is incredibly rare in the music industry; the vast majority of artists who have experienced long-term, sustainable success almost certainly grew their fanbase over the course of many years with a well-planned, long-term strategy. Instead of putting one release out and expecting it to gain you a sizeable fanbase overnight, focus on winning over one fan at a time. If you’re releasing good music and promoting it with a diverse range of valuable content on a regular basis, the word will begin to spread and your fan base will start compounding.

Related Questions

  • Why is nobody buying my music? The most-likely reason nobody buys your music is because you have no pre-established relationship with the consumer. In order for people to buy your music, you’ll have to create marketing material which establishes a relationship via the cultural and personable aspects of your project.

Additional Posts

I founded Indie Panda in mid-2018 to help independent musicians organically grow and develop their projects. I specialize in branding, identity, audience/industry engagement and project logistics.

I have a wealth of experience in both classical and popular music. After taking piano and violin lessons as a child, I went on to play first violin in philharmonic, symphonic and chamber orchestras throughout my adolescence. I began playing guitar and writing songs at the age of 13 and have played in a wide range of bands ever since. At the age of 18, my music received airplay for 30 consecutive days on BBC Radio, which led to an 'in-session' event where I performed live on the radio. I went on to earn a Music/Popular Music BA from the University of Liverpool, where I specialized in popular music performance.

I'm passionate about helping other artists realize the full potential of their talents and abilities through a strong work ethic, coherent project identity and a strong logistical foundation.

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